MOVIE REVIEW: Mission Impossible: Ghost Protocol

The Other Half and I were feeling like watching something not too serious for the last weekend of the year and since Brad Bird is one of our favorite directors (The Incredibles, The Iron Giant) we decided to go see his lastest film, even if it is the 4th installment in the Mission Impossible movies starring Tom Cruise.

Also influencing our decision to see the film was the fact that it was sporting a surprisingly positive rating on rottentomatoes.com of 93%, pretty high for your typical mindless action flick. The third one (2006's Mission Impossible III) had been produced and directed by JJ Abrams and had (somewhat ineffectively, in my estimation) combined numerous action sequences with intricate, highly charged emotional scenes between Cruise and Philip Seymour Hoffman.

This fourth outing stars Cruise again (now 49 years old but astonishingly still able to maintain his credibility as male action hero) as well as Simon Pegg (Shaun of the Dead, Hot Fuzz), Paula Patton (Déjà Vu, Precious) and Jeremy Renner (The Hurt Locker, The Town). (Spoiler alert! Tom Wilkinson has a literally short-lived cameo as the Secretary of Defense and Anil Kapoor (the TV host in Slumdog Millionaire) shows up late in the film as comically randy billionaire.) Looks like actor Josh Holloway (Sawyer on Lost) is starting to get some work in movies although his part is also pretty small.

I would talk about the plot of the movie but it is typically simultaneously indecipherable and non-sensical. What is most important in this kind of movie are the shooting locations, the fancy gadgets and the overall production values and on this level Mission Impossible IV does not disappoint.

The movie begins in Budapest, Hungary (the second film I have seen in little over a month to do so: Tinker, Tailor, Soldier, Spy also begins with a pivotal scene in this apparently gorgeous city) and then movies on to The Kremlin in Moscow, then the tallest building in the world (Burj Khalifa), located in the United Arab Emirates and then ends in Mumbai, India. It really is quite thrilling to get a close-up look at the interior an exterior of the Burj Khalifa, as well as the view from 130 stories.

There are all sorts of fanciful gadgets used by the "Impossible Mission Force," even the much-maligned, (frankly ridiculous) full-face masks introduced in the very first edition of the series which basically allows anyone's face to appear on anyone else's body (perfect facial impersonation). However, here the writer (or director) do themselves a favor by making fun of the face masks, while still deploying them in a way which forwards "the plot."

The production values are frankly top-notch throughout and though the film is well-over 2-hours it never seems to slow down and due to the penchant for killing characters played by major actors the viewer really does have a sense that perhaps this time the bad guys will actually win and that any member of the team can be killed at just about any moment.

Except for Tom of course. After all, there is the inevitable Mission Impossible V  to look forward to!

Title: Mission Impossible: Ghost Protocol.
Director: Brad Bird.
Running Time: 2 hours, 13 minutes.
MPAA Rating: Rated PG-13 for sequences of intense action and violence.
Release Date: December 21, 2011.
Viewing Date: December 30, 2011.

 Plot: C.
Acting: A-.
Visuals: A.
Impact: A-.

Overall Grade: B+ (3.33/4.0).

BOOK REVIEW: The Hunger Games Trilogy

The Hunger Games trilogy is the highest profile series of young-adult novels after J.K. Rowling's Harry Potter series. I read the entire series (see my reviews of the last two books: Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows) and saw all the movies (see my reviews for Harry Potter and the Deathly Hallows, Part 1 and Part 2 and Harry Potter and the Half-Blood Prince and Harry Potter and the Order of the Phoenix).

It's really not fair to compare the two series. For one thing, Harry Potter consists of seven books which are on average well over 500 pages each and take the main characters from a pre-teen innocence through teen-age angst and into full adulthood.

Here is how the author, Suzanne Collins, describes the Hunger Games:

Katniss is a 16-year-old girl living with her mother and younger sister in the poorest district of Panem, the remains of what used be the United States. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, “The Hunger Games.” The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed. When her sister is chosen by lottery, Katniss steps up to go in her place. 

By definition, The Hunger Games is a much more violent series of books than the Harry Potter books. There are deaths in both, but in The Hunger Games it becomes almost routine. Also, the fact that Katniss is 16 years old when the books begin makes the possibility of sex (or at the very least romance) a very real possibility.

The story revolves around the characters, starting with Katniss Everdeen and her little sister Primrose. Katniss has been feeding her family since her medicine woman mother was greatly affected by the death of her husband and Katniss' father. The relationships which animate the main plots in The Hunger Games is the (love?) triangle between Katniss and Peeta Mellark and Gale Hawthorne. Although love triangles have been done to death in all sorts of fiction, Collins comes up with some novel ways of handling the tension, especially since life and death situations become involved.

A Wikipedia article says that the themes of The Hunger Games are "government control, 'big brother,' and personal independence." I'm not sure that I would agree, I would say that a more precise description of  the main themes are "deception, independence and authoritarianism." Basically, authoritarianism includes both the "Big Brother" aspects of the Capitol and the governmental control that it encompasses throughout the 12 impoverished districts of Panem.

The plot of the first book is based around Katniss and Peeta's experience in the Hunger Games, where the rules are kill or be killed. Obviously, at least one of them survives because there are two more books. What happens is that the scope of the books expands, although they still center around the actions of Katniss, the true goal of Collins is to demonstrate not just the change to Katniss, but also to her hometown and her whole country.

Overall, all three books are well-written and Collins skillfully maintains suspense even while the reader is pretty sure any of the characters we care about will not be killed, the body count is high, and not everyone we care about survives to the end of the third book.

Title: The Hunger Games.
Author: Suzanne Collins.
Paperback: 384 pages.
Publisher: Scholastic Press.
Date: September 14, 2008.

OVERALL GRADE: A- (3.67/4.0).


PLOT: A.
IMAGERY: B+.
IMPACT: A-.
WRITING: A-.


Title: Catching Fire.
Author: Suzanne Collins.
Paperback: 391 pages.
Publisher: Scholastic Press.
Date: September 1, 2009.


OVERALL GRADE: A- (3.67/4.0).


PLOT: A-.
IMAGERY: A-.
IMPACT: B+.
WRITING: A.


Title: Mockingjay.
Author: Suzanne Collins.
Paperback: 400 pages.
Publisher: Scholastic Press.
Date: August 24, 2010.


OVERALL GRADE: A- (3.67/4.0).


PLOT: A-.
IMAGERY: B+.
IMPACT: A-.
WRITING: A.

Celebrity Friday: Zachary Quinto Comes Out

Zachary Quinto played Spock in J.J. Abrams' re-boot of Star Trk

Zachary Quinto, 34, is an actor best known for playing the hero/villain on the once wildly popular television series Heroes and inhabiting the role of Spock in J.J. Abrams re-boot of Star Trek (see my A- review).

But this week he makes news by revealing his long-rumored sexual orientation. Zach is gay!

Last year, the Times, in profiling him forAngels, noted that “the blogosphere is rife with speculation about his sexuality” but that “he prefers not to feed the rumor mill with either substantiation or dismissal.” That has changed. A little while later in our conversation, speaking of the cultural bipolarity that can see gay marriage legalized in New York in the same year that yet another gay teenager, Jamey Rodemeyer, was bullied and killed himself, Quinto says, “And again, as a gay man I look at that and say there’s a hopelessness that surrounds it, but as a human being I look at it and say ‘Why? Where’s this disparity coming from, and why can’t we as a culture and society dig deeper to examine that?’ We’re terrified of facing ourselves.”

Hmmm, I hope this doesn't impact his career negatively. (I doubt it will.) I'm also curious about his Star Trek co-star (who played the other pivotal role of James T. Kirk), Chris Pine, and has gone on to co-star in films with big stars like Denzel Washington in Unstoppable. Pine still has no "personal information" in his Wikipedia page, while Quinto's contains the fact that he is now out as a gay man.

Lost Producers Confess They Made It All Up Ad Hoc

Damon Lindelof (left) and Carlton Cuse were the showrunners on Lost

As you may recall, I was a huge fan of the television series Lost and was verklempt when it went off the air Sunday May 23, 2010.

The story was so complex that there was always a suspicion about whether the writers and producers really knew what they wanted to do all the time and was the intricacy intended genius or unintended confusion.

One of the main executive producers, Damon Lindelof, now admits it was more of the latter:

"The biggest issue with a desert island show was the audience is going to get very frustrated that the characters were not getting off the island," he said. "My solution was, hey, let's get off the island every week. And the way we're going to do that is we're going to do these flashbacks. We'll do one character at a time and there's going to be like 70 characters on the show, so we'll go really, really slow, and each one will basically say, here's who they were before the crash and it'll dramatize something that's happening on the island and it will also make the show very character-centric."

Abrams liked the idea, and also had another: "'There should be a hatch on this island! They spend the entire season trying to get it open. And there should be these other people on the island,'" Lindelof recalled Abrams saying. "And I'm like, ''We can call them The Others.' And he's like, 'They should hear this noise out there in the jungle.' And I'm like, 'What's the noise?' And he's like, 'I don't...know. They're never going to pick this thing up anyway.'"

Lindelof said the idea to tell the story out of chronological order came in part from "Pulp Fiction," in which John Travolta's character is killed about halfway through -- and viewers learn only at the end that he had failed to heed Samuel Jackson's speech in the diner about the path of the righteous man.

"That sort of flipped the switch in me, and was something that I really wanted to do as a storyteller and 'Lost' was really the perfect opportunity to do it," Lindelof said.

The most amusing revelation is that Lindelof really just wanted to get a job on J.J. Abrams' hit show Alias (which I also loved) which is why he originally met with Abrams and then was offered his new show while Abrams went off to direct movies like Star Trek  and Mission Impossible 3.

2011 Emmy Awards: The Winners

Tonight was a big day in Hollywood as the Emmy Awards for excellence in television were announced.
I had previously blogged about the nominations and made my choices known.

Here is the full list of winners of the 2011 Emmy Awards:

 Outstanding Drama Series: "Mad Men," AMC.
- Outstanding Lead Actress, Drama Series: Julianna Margulies, "The Good Wife," CBS.
- Outstanding Lead Actor, Drama Series: Kyle Chandler, "Friday Night Lights," DirecTV/NBC.
- Outstanding Supporting Actor, Drama Series: Peter Dinklage, "Game of Thrones," HBO.
- Outstanding Supporting Actress, Drama Series: Margo Martindale, "Justified," FX.
- Outstanding Writing, Drama Series: Jason Katims, "Friday Night Lights," NBC.
- Outstanding Directing, Drama Series: Martin Scorsese, "Boardwalk Empire," HBO.
- Outstanding Comedy Series: "Modern Family," ABC.
- Outstanding Actor, Comedy Series: Jim Parsons, "The Big Bang Theory," CBS.
- Outstanding Actress, Comedy Series: Melissa McCarthy, "Mike & Molly," CBS.
- Outstanding Supporting Actress, Comedy Series: Julie Bowen, "Modern Family," ABC.
- Outstanding Supporting Actor, Comedy Series: Ty Burrell, "Modern Family," ABC.
- Outstanding Writing, Comedy Series: Steven Levitan and Jeffrey Richman, "Modern Family," ABC.
- Outstanding Directing, Comedy Series: Michael Spiller, "Modern Family," ABC.
- Outstanding Miniseries or Movie: "Downton Abbey (Masterpiece)," PBS.
- Outstanding Actress, Miniseries or Movie: Kate Winslet, "Mildred Pierce," HBO.
- Outstanding Actor, Miniseries or Movie: Barry Pepper, "The Kennedys," ReelzChannel.
- Outstanding Supporting Actress, Miniseries or Movie: Maggie Smith, "Downton Abbey (Masterpiece)," PBS.
- Outstanding Supporting Actor, Miniseries or Movie: Guy Pearce, "Mildred Pierce," HBO.
- Outstanding Directing, Miniseries, Movie or Dramatic Special: Brian Percival, "Downton Abbey (Masterpiece)," PBS.
- Outstanding Writing, Miniseries, Movie or Dramatic Special: Julian Fellowes, "Downton Abbey (Masterpiece)," PBS.
- Outstanding Reality-Competition Program: "The Amazing Race," CBS.
- Outstanding Variety, Music or Comedy Series: "The Daily Show With Jon Stewart," Comedy Central.
- Outstanding Directing, Variety, Music or Comedy Series: Don Roy King, "Saturday Night Live," NBC.
- Outstanding Writing, Variety, Music or Comedy Series: "The Daily Show With Jon Stewart," Comedy Central.

The highlights for me are the husband and wife from Modern Family (Ty Burrel and Julie Bowen) winning Best Supporting Actor and Actress. The Supporting Actor in a Comedy Series category was all four male leads from Modern Family  and Chris Colfer from Glee! Also, I'm very psyched that Peter Dinklage won for his portrayal of Tyrion Lannister in Game of Thrones, a role that could physically not be played by anyone else and is an amazing piece of writing by George R.R. Martin. I'm also glad that two other shows I just started watching, The Good Wife and the The Big Bang Theory had their lead actors, Jim Parsons (second consecutive year) and Julianna Margulies recognized for their excellent work.

I do not understand the obsession with Mad Men; to me it just looks some kind of Republican fantasy of life in the 1950s before all that damned "progress" of the 1960s (civil  rights for Blacks, equal rights for women and the gay rights movement) happened and "the good old days" were rocking. It's some kind of sick nostalgia fantasy for conservatives. The show has won 4 years in a row, every year it has been in existence. Even worse s The Amazing Race which has now won every Best Reality Series Emmy award ever, even though Survivor was first (and is still better).

Last but not least, congrats to Dame Maggie Smith. You, go, girl!!

2012 Oscars: The Best Actress Race Starts Early

Meryl Streep (left) has 2 Oscars (1979 Best Supporting Actress, Kramer v Kramer;
 1982 Best Actress, Sophie's Choice) and 16 nominations. Glenn Close (right) has
5 nominations and no wins (but 3 Emmys and 3 Tonys).

Ever since it was released that Glenn Close was playing a man in a film called Albert Nobbs she was producing and had co-written the screenplay for tongues have been wagging about her as the one to beat for the 2012 Best Actress Oscar. I have a sweet spot in my heart for Ms. Glenn Close because she is the best thing in one of my favourite movies of all time: Dangerous Liaisons.

Check this scene out and ask yourself why the Best Actress Oscar went to Cher that year!

However, now comes word that Meryl Streep, the most nominated actress of all time, is set to play former British Prime Minister Margaret Thatcher in an upcoming film called The Iron Lady. The trailer for the latter has been released and La Streep has done one of her famous accents and incredible transformations:

Most people give the edge to Glenn because her film also has her brandishing an accent (19th century Irish), has a better director (Directed by Rodrigo Garcia, a well-known director of episodes of HBO series like Six Feet Under, Carnivale and In Treatment), a better cast (Oscar-winner Brenda Fricker, up-and-comer Mia Wasikowski (The Kids Are All Right, Alice in Wonderland), Jonathan Rhys Myers), and Glenn co-wrote the freaking screenplay and has been trying to get the movie made for 15 years! She also played the role on stage and won a Canadian Tony award (called an Obie). However, don't count out Ms. Streep either. The Iron Lady is directed by Phyllida Lloyd who directed her in her biggest box-office smash, the execrable Mamma Mia! and stars Oscar-winner Jim Broadbent and the always good Richard E. Grant.

If the movie is even half-way good, there's no question in my mind that the Academy will want to reward Glenn with atleast one Oscar (Anyone remember Emma Thompson's Oscar for Adapted Screenplay of Sense and Sensibility?) Also, Glenn currently has no Oscars on her mantel while Meryl has two.

I really don't know who I will be cheering for, I really really want Meryl to win her 3rd Oscar, but I also think Glenn Close was robbed decades ago so I really really want her to win as well.

FOOD REVIEW: Go Burger (Hollywood, Los Angeles)

Exterior of Go Burger at Sunset & Vine

Vidalia onion rings

"duck fat fries"

my burger, with the lovely slaw and superfluous pickle

inside of my burger, with delightful bits of bacon showing

My ongoing quest to find the best burgers in Los Angeles lead me to Go Burger in Hollywood, recently. This is actually the second time I am writing this review. My first review was lost in the great Blog apocalypse of May12, 2011 which initially deleted my published review of Lazy Ox Canteen and erased my draft review of Go Burger.

 Go Burger resembles Juicy Burger (see review) and The Counter (see review) in that it is the kind of place where they have a number of set burgers but you can also select your own ingredients and design your own.

I decided to have the BLT (Double Smoked Bacon, Lettuce, Tomato, BLT Burger Sauce, $11) and splurge on the fries cooked in duck fat. The person I was eating lunch with had the "Make it a Philly!" Smashed Burger (with Griddled Onions, Peppers, Pickled Jalapeños and Melted Provolone, $12) and the Vidalia Onion Rings. On the advice of the LA Weekly article "30 Burgers in 30 Days" I purposefully selected a relatively simple burger and was interested in the duck-fat fries.

It turned out that the burger was excellent, while the fries were disappointing. The onion rings were also incredible. The fries sounded better than they tasted. They ended up being somewhat soggy and not very flavorful while the onion rings were delightfully crunchy with and  relatively sweet. Another surprise was the cole slaw that was delivered with the burgers--it was also excellent. I am never fan of something other than ketchup being used to dip onion rings or fries into, but the buttermilk ranch dressing on the side was pretty good, especially with the onion rings!

The price point of Go Burger appears to be slightly higher than either Juicy Burger or The Counter but the burger seemed to also be of higher quality. It was still not as flawless as the Lazy Ox Canteen burger but I would rank it a close second to all the burgers I have eaten recently. I would definitely go back to Go Burger, to order the onion rings and try out one of their other burgers or put together one of my own design realizing that this could end up pretty pricey when cheese toppings (Vermont cheddar, American, Provolone, Monterey Jack) are $1 each and premium toppings (Blue cheese Gruyere, grilled onions, Bacon, sliced avocado, madeira mushrooms, fried egg, homemade chili, grilled red peppers) are $1.50.

Overall, Go Burger well deserves its place on the list of outstanding burgers in Los Angeles.

Name: Go Burger.

Location: 6290 W Sunset Blvd, Los Angeles, CA 90028.

Contact: 323-327-9355.

Visit: May 9, 2011.

AMBIANCE: A-.

SERVICE: A-.

VALUE: B+.

FOOD: A-. 

OVERALL: A- (3.583/4.0).