Showing posts with label Hugo award. Show all posts
Showing posts with label Hugo award. Show all posts
Thursday, November 17, 2011
BOOK REVIEW: China Miéville's Embassytown
I have been a fan of China Miéville ever since I picked up his mind-bending books The Scar and Perdido Street Station after trawling through the Award Annals website looking for award-winning speculative fiction. China Miéville's writing has won him many, many awards. His work is generally relegated to "genre fiction" but the question is which genre? Miéville often doesn't just stick to one, or he purposefully reinvents and reimagines the genre he is working in.
His latest books, The City & The City (2009) and Kraken (2010), have been somewhat disappointing. They are still as hard-to-classify and mind-bending as his earlier works but they are not as rewarding (to this reader).
Embassytown was expected to be different, since it was announced as China's first book with actual spaceships. Expectations that it would be a true science-fiction book, instead of another one of his genre-benders were raised.
Unfortunately, China being China it means that even though Embassytown is definitely science fiction, it is also Weird.
The basic outlines of the story is that it is told from the first-person perspective of Avice Benner Cho, a "Immerser" (someone who helps pilot spaceships at faster-than-light speed through something called The Immer) who returns to her home town of Embassytown on her home planet of Arieka after a successful career with a husband named Scile who is a linguist. Embassytown is inhabited by aliens known as the Ariekei or Hosts. The Ariekei have multiple mouths and produce word simultaneously from two mouths simultaneously to produce what is known as Language. Language possesses multiple unusual properties, the most important of which is that it is more than just sounds. If the sounds of Ariekei producing Language is recorded and played back for them they do only hear it as noise. Somehow the Ariekei can only understand Language that is spoken with meaning by an intelligence. Another property of Language is that the statements and thoughts communicated using it must always be true, Ariekei can not lie. The Ariekei have advanced bio-technology and provide it to the humans (and other aliens) who inhabit Embassytown, which happens to be an important way-station on to a whole other section of the galaxy. In order to communicate with the Ariekei humans have produced Ambassadors, who are twinned humans (i.e. Cal and Vin become CalVin) who are so closely aligned with their thoughts that they can speak simultaneously and produce Language which the Ariekei can understand.
The plot is unsurprisingly complicated, and involves the arrival in Embassytown of a new kind of Ambassador which eventually results in the entire structure of Language being challenged and changed. The Ariekei are also forever changed, as well as life on Arieka itself.
Of course the reader is supposed to connect to the story through the lens of Avice. Avice, is a celebrity among the Ariekei because as a young girl she became a simile in Language, "the girl who sat in the dark and ate what was given her without question." Her husband becomes obsessed with the Hosts and plays a very important role in the development of the plot.
The main problem is that China is more interested in challenging (and impressing) the reader than actually entertaining them. He has interesting things he wants to show that he can do within the confines of familiar sci-fi tropes (faster-than-light travel, real-life aliens, human-alien contact, planet colonization and advanced technologies) while also incorporating things like the Sapir-Whorf hypothesis. But China spends so much time on these other things, in my view, he neglects to make the reader really CARE about the characters, and thus we really don't care what happens to them in the end.
Title: Embassytown.
Author: China Miéville.
Paperback: 368 pages.
Publisher: Del Rey.
Date: May 17. 2011.
OVERALL GRADE: A- (3.67/4.0).
PLOT: A-.
IMAGERY: A-.
IMPACT: B+.
WRITING: A.
Labels:
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Wednesday, November 2, 2011
BOOK REVIEW: George R.R. Martin's A Feast for Crows
I have previously read and reviewed the first three books of the now-classic fantasy series, A Song of Ice and Fire, by George R.R. Martin, for this blog: A Game of Thrones, A Clash of Kings, and A Storm of Swords.
A Feast for Crows is considered by some the red-headed step child of the series so far because even though it is the most critically recognized entry in the series (nominated for the Hugo, Locus and British Fantasy Society awards although notably it failed to win any of these) it is also the book in the series which is rated the lowest by actual readers. There's a definite reason for this. A Feast for Crows was first published nearly 5 years after the publication of 2000's A Storm of Swords and the expectations of Martin's burgeoning fan base were extremely high. A Feast for Crows became the first book in the series to debut as #1 on the New York Times bestseller list and be an international publishing phenomenon. This is somewhat surprising, because several of the most popular characters from the series do not make an appearance in A Feast for Crows. Martin structures his novels as series of chapters with intersecting and overlayed points-of-views from specific characters on the same series of events. Because A Feast for Crows grew so gigantic during the five years Martin spent writing it, at some point he decided to concentrate on some of the less popular (some would say more villainous) characters in A Feast for Crows and push the perspectives of the more popular characters (Arya Stark, Tyrion Lannister, Jon Snow and Daenerys Targaryen to name a few) into the still-to-be-written A Dance with Dragons (which despite this headstart still took an agonizing 6 years to be published).
You'd think that the 4th entry in a series which has been decreed to be no longer than 7 books long would be concentrating on reducing the scope of the story not expanding it. If you thought that you'd be wrong, because Martin introduces several new characters who of course come with their own plots and allegiances which somehow link up to the previously revealed plots and allegiances like a slowly growing intricate spider-web or moss spreading inch by inch over a stone tomb.
The theme of the book is about power, and of course we all know absolute power corrupts absolutely. The anti-heroine of the series, Cersei Lannister Barratheon is know fully ascendant at the seat of power in King's Landing, although due to the inherent sexism (some would say misogyny) of the culture she is not officially crowned and of course does not sit on The Iron Throne, as her husband and sons have. Cersei is the kind of character readers love to hate and Martin puts her in her place somewhat, saving the coup de grace for the next book, we hope.
The plots are too numerous to summarize here, but suffice it to say that the conflict which has animated the first three books, the War of the Five Kings is quickly hurtling to a conclusion and this book is about what people do after the war is over, and how the "winners" and "losers" are both affected in its aftermath.
The one good thing about Martin pushing all the story lines of the favorite characters into A Dance with Dragons is that it makes that book an even more desirable read, and one that I will try to review shortly.
Despite the slight lull that A Feast for Crows represents in the A Song of Ice and Fire series, it still points out how salient the stories and characters that Martin has created that even the secondary characters make for a compelling read, and promise that the next book should be even more so.
Title: A Feast for Crows
Author: George R.R. Martin
Length: 784 pages.
Publisher: Bantam.
Date: October 30, 2007.
OVERALL GRADE: B/B-.
PLOT: B-.
IMAGERY: B.
IMPACT: B+.
WRITING: B-.
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Thursday, September 22, 2011
BOOK REVIEW: Blackout & All-Clear by Connie Willis
Connie Willis is one of my favorite science fiction authors, having written the incredible Doomsday Book (see my A+ review). Last year she returned to the time-travelling universe of Doomsday Book and To Say Nothing Of The Dog with the duology Blackout/All-Clear.
The diptych Blackout/All-Clear was immediately critically acclaimed and became Willis' second book to win both of the top awards in science fiction, the 2011 Nebula award and the 2011 Hugo award.
The books use the assumption that by 2060 time-travel is possible, although due to the chance of changing the future by changing the past, it is mainly only used by academics. The books are set in Oxford University and generally involved graduate students who need to go back in time as part of their "field research" for their studies on particular historical events.
The first thing to realize about Blackout/All-Clear is that it is really not two books, it is one book split into two parts, so you should not expect a conclusion at the end of Blackout. In fact, I would strongly recommend that however you procure Blackout to read it, you should save yourself the anxiety and just get the second half of the book as well, All-Clear.
The main characters are Michael Davies, Polly Churchill and Merope Ward who are sent back into World War II Britain as Mike Davis, Polly Sebastian and Eileen O'Reilly, respectively.
One of the most interesting things Connie Willis does is depict what life really was like to live through the Blitz, one of the most important and harrowing time periods in history, for any civilization. She does this through the seemingly insignificant details of how The War affected everyday, unknown people every day. Of course, what is also amusing and entertaining for the reader is that she also includes people who are famous now but who were not necessarily so famous then (Agatha Christie comes to mind).
Another important feature of the book to me was its depiction of gender. The fact that two of the main characters are women (really barely more than teenagers) in the mid-1940s decades before the equal rights movement allows Willis to really reveal the contours of sexism behind the veneer of polite British society.
One thing all time-travel stories have in common is that they have rules, generally the rule is that the time travelers can not produce a paradox (like going back in time and killing your own father or grandfather before you were born because then how could you be alive to go back in time in the first place?). Willis plays on this fact, and the idea tat no author would ever kill of one of her three central major characters to raise the level of suspense to heart-pounding levels.
In the end, the books end on something of an emotionally manipulative note, but that decision really ensures that readers of Blackout/All-Clear will not forget the experience any time soon.
Title: Blackout
Author: Connie Willis
Length: 512 pages.
Publisher: Spectra.
Published: February 2, 2010.
PLOT: A-.
IMAGERY: A-.
IMPACT: A.
WRITING: A.
OVERALL GRADE: A- (3.83/4.0).
Title: All Clear
Author: Connie Willis
Length: 656 pages.
Publisher: Spectra.
Published: October 19, 2010
OVERALL GRADE: A- (4.0/4.0).
PLOT: A.
IMAGERY: A-.
IMPACT: A+.
WRITING: A.
Labels:
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Sunday, August 28, 2011
2011 Hugo Winners Announced!
The 2011 Hugo Awards were announced last weekend at the World Science Fiction Convention in Reno, Nevada. Two of my favorites, Christopher Nolan's Inception and Commie Willis' Blackout/All-Clear won the major prizes of Best Dramatic Presentation Long Form and Best Novel, respectively. Willis becomes the second female author to win the prestigious Nebula/Hugo double for the same book twice. She won the Nebula award for Blackout/All-Clear earlier this year and had previously won the double for an earlier book in the series, Doomsday Book, one of my favorite books of all time. The only other authors to win the Hugo/Nebula double for the same book twice are Joe Haldeman (The Forever War, Forever Peace), Ursula K. LeGuin (The Left Hand of Darkness, The Dispossessed), and the now-odious Orson Scott Card (Ender's Game, Speaker for the Dead).
Here's the full list and here's the list of the winners in the most important categories::
Also, notice that the titles of the winners of Best Novella, Novelette and Best Short Story are hyperlinks. By clicking on the links you can see these award-winning pieces of speculative fiction for free. Enjoy!
Here's the full list and here's the list of the winners in the most important categories::
BEST NOVEL
Blackout/All Clear by Connie Willis (Ballantine Spectra)
BEST NOVELLA
The Lifecycle of Software Objects by Ted Chiang (Subterranean)
BEST NOVELETTE
“The Emperor of Mars” by Allen M. Steele (Asimov’s, June 2010)
BEST SHORT STORY
“For Want of a Nail” by Mary Robinette Kowal (Asimov’s, September 2010)
BEST RELATED WORK
Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It, edited by Lynne M. Thomas and Tara O’Shea (Mad Norwegian)
BEST GRAPHIC STORY
Girl Genius, Volume 10: Agatha Heterodyne and the Guardian Muse,
written by Phil and Kaja Foglio; art by Phil Foglio; colors by
Cheyenne Wright (Airship Entertainment)
written by Phil and Kaja Foglio; art by Phil Foglio; colors by
Cheyenne Wright (Airship Entertainment)
BEST DRAMATIC PRESENTATION, LONG FORM
Inception, written and directed by Christopher Nolan (Warner)
BEST DRAMATIC PRESENTATION, SHORT FORM
Doctor Who: “The Pandorica Opens/The Big Bang,” written by Steven
Moffat; directed by Toby Haynes (BBC Wales)
What's nice about the Hugos is that they also release the detailed breakdown of the preference voting results every year as well. It would be incredibly awesome if other awards (Oscars, Emmys, are you listening?) did that as well.Moffat; directed by Toby Haynes (BBC Wales)
Also, notice that the titles of the winners of Best Novella, Novelette and Best Short Story are hyperlinks. By clicking on the links you can see these award-winning pieces of speculative fiction for free. Enjoy!
Monday, August 1, 2011
Voting For 2011 Hugo Awards Now Closed
The nominations for the 2011 Hugo Awards were announced in April 2011 but I just noticed at John Scalzi's blog that voting on the nominations have now closed. The nominations and winners of the 20111 Nebula awards have already been announced. The Hugo and Nbula awards are tyhe most prestigious awards for speculative works of fiction. Generally, authors select the Nebula award winners and fans pick the Hugo winners.
This year, only two books managed to make the Best Novel category of both the Nebula and Hugo Awards, both of which I have read. They are The One Hundred Thousand Kingdoms by N.K. Jemisin and Blackout/All-Clear by Connie Willis. Willis has won the Nebula-Hugo double before, for the brilliant Doomsday Book. She has already won the 2011 Nebula Award for her diptych Blackout/All-Clear. Jemisin is a first-time author whose book people either love or hate (I hated it).
Last year there was a tie for the Hugo Award for Best Novel between Paola Baacigalupi's The Wind-up Girl and China Mieville's The City and the City, neither of which I thought was amazing.
This year's winner will be decided at the World Science Fiction convention on August 20 in Reno, Nevada.
Here's the full list of nominees for Best Novel.
Best Novel
- Blackout/All Clear by Connie Willis (Ballantine Spectra)
- Cryoburn by Lois McMaster Bujold (Baen)
- The Dervish House by Ian McDonald (Gollancz; Pyr)
- Feed by Mira Grant (Orbit)
- The Hundred Thousand Kingdoms by N.K. Jemisin (Orbit)
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